Posts Tagged ‘GRE’
Tom Jones audio book – book 2 ch. 1-3
Scroll down to see the see the GRE flash card for Tom Jones.
Note: this audio recording jumps ahead to book 2, chapters 1-3. To hear more visit Librivox.org.
To read Tom Jones online, visit the Project Gutenberg e-text.
Tom Jones – audio book – ch. 4-6
Scroll down to see the see the GRE flash card for Tom Jones.
Listen to the audiobook of chapters 4-5 of The Life and Opinions of Tristram Shandy. If you’d like to hear more, visit Librivox.org.
Laurence Sterne - The Life and Opinions of Tristram Shandy - ch. 4-5 [7:29m]: Play Now | Play in Popup | DownloadGive your eyes a rest! This GRE literature podcast contains audio books of everything you’ll need to read for GRE subject test – so you can study in your car, in the bath, at the gym or wherever you bring your ipod. The audio books appear at the end of the posts, along with helpful notes, links and other information. Just scroll down to view the most recent posts, or find the authors you want in the categories section on the right. If you want to download the audio files, just left click on the file and select “save link as.” Or, for easiest listening, subscribe to the podcast. I’m working in roughly chronological order, and updating several times a week. Enjoy!
Ben Jonson – To Penshurst
Ben Jonson’s “To Penshurst” is a classic example of an estate poem, a term the GRE Literature may want you to know. This form, which became fashionable in the 17th century, describes a landscape attached to a noble house and typically becomes a meditation upon the relationships between nature & culture. Here’s the opening- read the full text of “To Penshurst” here.
TO PENSHURST.
Thou art not, PENSHURST, built to envious show
Of touch, or marble ; nor canst boast a row
Of polish’d pillars, or a roof of gold :
Thou hast no lantern whereof tales are told ;
Or stair, or courts ; but stand’st an ancient pile,
And these grudg’d at, art reverenced the while.
Thou joy’st in better marks, of soil, of air,
Of wood, of water ; therein thou art fair.
Thou hast thy walks for health, as well as sport :
Thy mount, to which thy Dryads do resort, 10
Where Pan and Bacchus their high feasts have made,
Beneath the broad beech, and the chestnut shade ;
That taller tree, which of a nut was set,
At his great birth, where all the Muses met.
John Donne – “The Dream”
THE DREAM.
by John Donne
DEAR love, for nothing less than thee
Would I have broke this happy dream ;
It was a theme
For reason, much too strong for fantasy.
Therefore thou waked’st me wisely; yet
My dream thou brokest not, but continued’st it.
Thou art so true that thoughts of thee suffice
To make dreams truths, and fables histories;
Enter these arms, for since thou thought’st it best,
Not to dream all my dream, let’s act the rest.
As lightning, or a taper’s light,
Thine eyes, and not thy noise waked me;
Yet I thought thee
—For thou lovest truth—an angel, at first sight;
But when I saw thou saw’st my heart,
And knew’st my thoughts beyond an angel’s art,
When thou knew’st what I dreamt, when thou knew’st when
Excess of joy would wake me, and camest then,
I must confess, it could not choose but be
Profane, to think thee any thing but thee.
Coming and staying show’d thee, thee,
But rising makes me doubt, that now
Thou art not thou.
That love is weak where fear’s as strong as he;
‘Tis not all spirit, pure and brave,
If mixture it of fear, shame, honour have;
Perchance as torches, which must ready be,
Men light and put out, so thou deal’st with me;
Thou camest to kindle, go’st to come; then I
Will dream that hope again, but else would die.
John Donne – “Death Be Not Proud”
John Donne
72. “Death be not proud, though some have called thee”
DEATH be not proud, though some have called thee
Mighty and dreadfull, for, thou art not so,
For, those, whom thou think’st, thou dost overthrow,
Die not, poore death, nor yet canst thou kill me.
From rest and sleepe, which but thy pictures bee, 5
Much pleasure, then from thee, much more must flow,
And soonest our best men with thee doe goe,
Rest of their bones, and soules deliverie.
Thou art slave to Fate, Chance, kings, and desperate men,
And dost with poyson, warre, and sicknesse dwell, 10
And poppie, or charmes can make us sleepe as well,
And better then thy stroake; why swell’st thou then;
One short sleepe past, wee wake eternally,
And death shall be no more; death, thou shalt die.
From Holy Sonnets:
XIV
Batter my heart, three-person’d God ; for you
As yet but knock ; breathe, shine, and seek to mend ;
That I may rise, and stand, o’erthrow me, and bend
Your force, to break, blow, burn, and make me new.
I, like an usurp’d town, to another due,
Labour to admit you, but O, to no end.
Reason, your viceroy in me, me should defend,
But is captived, and proves weak or untrue.
Yet dearly I love you, and would be loved fain,
But am betroth’d unto your enemy ;
Divorce me, untie, or break that knot again,
Take me to you, imprison me, for I,
Except you enthrall me, never shall be free,
Nor ever chaste, except you ravish me.
The metaphysical poets were a loose group of British lyric poets of the 17th century, who shared an interest in metaphysical concerns and a common way of investigating them. The label “metaphysical” was given much later by Samuel Johnson in his Life of Cowley. These poets themselves did not form a school or start a movement; most of them did not even know or read each other. Their style was characterized by wit, subtle arguments, “metaphysical conceits”, and/or an unusual simile or metaphor such as in Andrew Marvell’s comparison of the soul with a drop of dew. Several metaphysical poets, especially John Donne, were influenced by Neo-Platonism. One of the primary Platonic concepts found in metaphysical poetry is the idea that the perfection of beauty in the beloved acted as a remembrance of perfect beauty in the eternal realm. In a famous definition Georg Lukács, the Hungarian Marxist critic, described the school’s common trait of “looking beyond the palpable” and “attempting to erase one’s own image from the mirror in front so that it should reflect the not-now and not-here” as foreshadowing existentialism. Though secular subjects drew them (in particular matter drawn from the new science, from the expanding geographical horizons of the period, and from dialectic) there was also a strong casuistic element to their work, defining their relationship with God.
For the GRE, the primary metaphysical poets you should know are:
John Donne
Andrew Marvell
Richard Lovelace
George Herbert
If you like this audio book of Paradise Lost so far, go to librivox.org to hear the compete work.